翻訳と辞書
Words near each other
・ Everything I Shouldn't Be Thinking About
・ Everything I Touch Falls to Pieces
・ Everything I Want
・ Everything I Want to Be
・ Everything I Wanted
・ Everything I Wanted (Dannii Minogue song)
・ Everything I Wanted (The Bangles song)
・ Everything I'm Cracked Up to Be
・ Everything I'm Not
・ Everything I've Got in My Pocket
・ Everything I've Known
・ Everything in 3 Parts
・ Everything in Between
・ Everything in Between (Matt Wertz album)
・ Everything in Between (No Age album)
Everything in Its Right Place
・ Everything in Its Right Place (disambiguation)
・ Everything in Its Right Place (Fringe)
・ Everything in Life
・ Everything in Moderation
・ Everything in Slow Motion
・ Everything in the Garden
・ Everything in the World
・ Everything in Time
・ Everything in Transit
・ Everything Invaded
・ Everything Is
・ Everything Is (EP)
・ Everything Is 4
・ Everything is a file


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Everything in Its Right Place : ウィキペディア英語版
Everything in Its Right Place

"Everything in Its Right Place" is a song by the English rock band Radiohead, written by lead singer Thom Yorke in 1999. It was recorded with producer Nigel Godrich in Batsford later the same year. It is the opening track of their 2000 album ''Kid A''.
While no singles were released from the album, Yorke has since expressed regret over not releasing "Everything in Its Right Place" as the lead single for ''Kid A''. The song is noteworthy in its own right as it has been covered by several other artists,〔()〕 features heavily in Radiohead's set list and received positive reviews from critics.
==Recording and musical style==
The song was written late one night by Thom Yorke on a piano at home. According to Yorke, "I bought a piano for my house, a proper nice one - a baby grand. And this was the first thing I wrote on it. And I'm such a shit piano player. I remember this Tom Waits quote from years ago, that what keeps him going as a songwriter is his complete ignorance of the instruments he's using. So everything's a novelty. That's one of the reasons I wanted to get into computers and synths, because I didn't understand how the fuck they worked. I had no idea what ADSR meant."
The recording was largely finished in another night by Yorke together with drummer Phil Selway and producer Nigel Godrich. The final composition featured neither guitar, piano, nor drums, but electric piano, a drum machine, and computer manipulations of Yorke's voice.〔(【引用サイトリンク】url=http://thekingofgear.com/thom#keyboards )〕 The song features an unusual chord progression with a great deal of dissonant harmony, which, combined with the bizarre vocal effects and unintelligible sounds, gives the song an ominous feel. Another distinguishing feature is its marriage of an unconventional time signature (10/4) to a dance/house groove. The feel of the song, especially when played live, has been seen as akin to house music and minimal techno due to its keyboard part, which plays an ascending chord sequence in a syncopated rhythm, alongside a steady, synthetic bass drum.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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